Mid-week last week and we go back to the Polyclinique 'with' Mr Price's injured thumb. "The twentieth was yesterday, monsieur" the receptionist informs him, but kindly arranges for the specialist to have a look at him.
We have a long wait in a small room, and- wouldn't you know it! the doctor comes in when I'm halfway through sketching a counterful of grim iodine bottles, lint and bandage boxes.
In town later we meet up with our nice neighbour who lives up the hill from us: he's The Only Intellectual in the Village and one of those foppish, rakish bachelors who seem to typify the French male to the British. Thankfully, today he isn't wearing his ridiculous shoes with the elongated and upturned chisel-toes.... I'd have pretended I hadn't noticed him!
He's whiling away the time until the film starts at the cinema opposite.
It's a lovely sunny day as we sit outside Le Café Noir. I draw while the other two talk or discutent, I'm unable to do both as they're different sides of the brain- well, that's my excuse and I'm sticking to it. They discuss world wars, books, music, art and film... and how that man who went by was staring so intently at that lady's bottom.
I'm sketching the bloke at the table just along from me who looks like he based himself on the Gallagher brothers- combat jacket, unshaved, a bit rough. He's sullen and silent and it's only when he gets up and mumbles that he's going to faire pipi that I realise he's with the young woman drinking Coca-Cola opposite .
As we leave we notice a customer with his arm in a sling and yet another in a wheelchair. Indicating his own poor bandaged hand, Mr Price quips "Café des Invalides!" .