I
was pleased to have the opportunity to sketch this orchestra over a
couple of days.
Their publicity department had used my picture of Ordsall Hall, where they're playing this very week, so I made a deal to sit in on rehearsals.
Their publicity department had used my picture of Ordsall Hall, where they're playing this very week, so I made a deal to sit in on rehearsals.
The
BBC's move marked a large-scale decentralisation from London, and
the North of England has profited from this. From the top floor of the building we could just about see Coronation Street's factory wall- what a thrill!
It
took at least the first morning's drawing to feel comfortable, and to
have some sense of the direction or focus my work might take. Because
this was a rehearsal, the music would start and then suddenly stop and the conductor would gently encourage the musicians in a mixture of English and Italian.
This was a bit distracting at first, and the longer pieces of music encouraged inspiration and a better
flow to the pencil.
The
musicians were a nice bunch, interested in what we were doing, as we
were in them- we're all artists, aren't we?!
I
used my sketches in the studio later, along with photographs, to
produce a larger work, below.
BBC Philharmonic, Studio Drawing 44cm x 122cm
This
is one of the traditional uses of the sketchbook.. as Fine Art
students we were we were encouraged to use them for various purposes:
as preliminary drawings prior to painting; to explore new ideas, thus
developing creativity; as visual diaries of the external world and as
drawing practise, and to re-visit as source material for inspiration.
Our
books were untidy, experimental, fearless and anarchic.
I'd
like to get back to that level of 'insouciance' -it's so easy to
blinker oneself by worrying about a good result on the page to be
shown to others, rather than opening up to new approaches and
unfamiliar materials.
Let's not be
hampered by the fear of failure!
No comments:
Post a Comment