I
was pleased to have the opportunity to sketch this orchestra over a
couple of days.
Their publicity department had used my picture of Ordsall Hall, where they're playing this very week, so I made a deal to sit in on rehearsals.
Their publicity department had used my picture of Ordsall Hall, where they're playing this very week, so I made a deal to sit in on rehearsals.
The
BBC's move marked a large-scale decentralisation from London, and
the North of England has profited from this. From the top floor of the building we could just about see Coronation Street's factory wall- what a thrill!
It
took at least the first morning's drawing to feel comfortable, and to
have some sense of the direction or focus my work might take. Because
this was a rehearsal, the music would start and then suddenly stop and the conductor would gently encourage the musicians in a mixture of English and Italian.
This was a bit distracting at first, and the longer pieces of music encouraged inspiration and a better
flow to the pencil.
The
musicians were a nice bunch, interested in what we were doing, as we
were in them- we're all artists, aren't we?!
I
used my sketches in the studio later, along with photographs, to
produce a larger work, below.
BBC Philharmonic, Studio Drawing 44cm x 122cm
This
is one of the traditional uses of the sketchbook.. as Fine Art
students we were we were encouraged to use them for various purposes:
as preliminary drawings prior to painting; to explore new ideas, thus
developing creativity; as visual diaries of the external world and as
drawing practise, and to re-visit as source material for inspiration.
Our
books were untidy, experimental, fearless and anarchic.
I'd
like to get back to that level of 'insouciance' -it's so easy to
blinker oneself by worrying about a good result on the page to be
shown to others, rather than opening up to new approaches and
unfamiliar materials.
Let's not be
hampered by the fear of failure!